2018 Decatur recipient Kelly Albers presents the Marty Decatur Sportsmanship Award to Kristen Hughes.
The Marty Decatur Sportsmanship Award in honor of the Hall of Fame player, is presented at each USHA Handball Hall of Fame Tournament. The award is given to an individual who embodies “The Spirit of Handball,” which is Respect, Fairness, Self-Discipline and Camaraderie.
Marty Decatur Sportsmanship Award recipients:
1995 – Priscilla Kojin 1996 – Gail Mayo 1997 – Charles Yates 1998 – Maureen Bike 1998 – Alvis Grant 1999 – Earl Varner 2000 – Jim Carkeek 2001 – Frank Zuniga 2002 – Sam Ortega 2003 – Jim Prendergast 2004 – Alethia Mendez 2005 – Fred Banfield 2006 – Lupe Marquez 2007 – Pete Jorgensen 2008 – Edgar Medina 2009 – Cara Arsenault 2010 – Dave Coulie 2011 – Mike Kincaid 2012 – Guillermo Pallares 2013 – Glenn Carden 2014 – Donna Mosely 2015 – Greg Stansbury 2016 – Frank Hernandez 2017 – Nate Frank 2018 – Kelly Albers 2019 – Kristen Hughes 2022 – Bill Mehilos 2023 – Manny Talamantes 2024 – Scott Landis 2025- Anna Sojourner
One of the questions most commonly asked of the top players is how to hook the ball.
The question usually is answered with the appropriate physics involved, both for the natural and the reverse hook.
Then comes a warning: Don’t try to hook the ball until you can control it.
That warning may be the most important thing to remember. Though most of the top players can hook the ball, the ability to hook is not the reason for their success.
Victory comes from solid fundamentals, the ability to control each and every shot in your repertoire, and hitting the correct shot according to your and your opponent’s court position and the situation.
Since the best players also have uncanny shot anticipation, reading hooks becomes part of that process for them. Consequently, hooks tend not to be that effective against the top players in the game.
Of course, there’s a time and a place for everything in handball. The time and the place for hooks is when and where your serve or shot will be more effective with a hook applied to it.
Since imparting spin to the ball requires hitting it on a specific spot on your hand and rotating your wrist as you strike it, it’s obvious that great fundamentals are needed before you attempt to hook the ball.
Also, for a hook to be effective, it’s necessary to make the ball contact the floor before hitting a side wall in the air, since the side wall will take the spin away from the ball.
If you’re using a hook, it must be applied with the intent of making your shot harder to return, and you’ll need accurate direction to make the ball harder to return, rather than easier.
This illustrates service reverses to the left and right hit by a right-handed player.
This illustrates service naturals to the left and right hit by a right-handed player.
Finally, hooking shots should be controlled and hit low on the front wall so they won’t carom off the back wall,where all the spin will again be lost.
Thus, if you don’t have the type of control needed to make your hooks effective, you shouldn’t waste your time with them. Instead you should be striving to improve your control.
A natural hook is just that–a natural spin that most players impart to the ball without even thinking about it.
As we develop a sidearm stroke, the hand tends to cut under the ball as we strike it. This is what puts the natural hook on the ball. For most of us, developing a natural hook is as easy as emphasizing the undercutting of the ball on our sidearm stroke.
To emphasize the natural, try contacting the ball in the center of the hand and let it roll across your hand before releasing it between the thumb and index finger. The follow-through is very important since it will dictate the amount of wrist rotation.
A reverse hook usually requires many hours of practice to develop.
The ball should be contacted near the base of the index finger so the hand will rotate over the top or outside of the ball to impart the reverse hook. Try to keep the ball on your hand so it rolls off the hand near the base of your little finger when you release it.
A word of caution is needed here: This manipulation of the elbow and wrist can result in sore arms, such as tennis elbow.
Be sure to take it easy and not overdo it in your first few practice sessions. Over-doing it during one of the first hooking sessions has forced many a player off to the sidelines for extended periods of recuperation.
Regardless of whether you’re ready to add hooks to your repertoire, everyone should be aware of the natural hook they are already applying to their shots, particularly on the serve.
As a rule, the most difficult shots to return are those that end up close to a side wall, especially in deep court. So we need to know how much our shots are hooking to know where we should be aiming our straight passes and drive serves.
For right-handers standing near the center of the court during the rally or on their serve, a natural to the left will break into the side wall. Thus, the bigger the natural applied,the farther away from the side wall the shot should hit on the floor so it ends up close to the side wall in deep court, where your opponent will be attempting his return.
The player with little or no natural hook can draw a straight path for his serves and passing shots so they end up close to the side wall in deep court.
Finally, the right-hander who can hit a reverse hook will aim his straight passes and drive serves for a spot on the floor very near the left side wall so that the ball will travel along the wall all the way to the back wall.
This is considered the main advantage to applying the reverse hook, while the slider down the right is the main advantage to employing the natural hook.
The converse holds true for the right-handed player hitting a shot to the right side of the court:
A natural should be aimed at a spot on the floor very near the right side wall so it runs the wall.
A reverse should be hit farther from the right side wall so it will break toward the wall and end up close to the side wall in deep court.
Using hooks to break your passing shots and kills away from your opponent can be very effective, especially against players who don’t anticipate hooks or watch you stroke the ball. Actually, any kind of hook will work against players who don’t watch you stroke the ball since they won’t see you apply the hook.
Hooks that break into your opponent’s floor position will handcuff the player who turns his back on you as you stroke the ball.
However, as the top players will quickly point out, this practice won’t work indef-initely against anyone. Even Pavlov’s dog would catch on to hooks, unless you mix them up.
Another reason to use hooks sparingly is the fatigue factor. The extra effort used in hooking the ball is far greater than you might think and will result in less effective hooks and less control late in the match, when you need both the most.
The ability to hook the ball can pay especially big dividends in doubles. Hook-ing the ball away from one opponent and toward his partner can cause confusion as to who should hit the shot, if not catch them totally off guard.
Since the court is crowded with four people, hitting a hook during the rally can be very effective since the player may not have seen you apply it. Of course, hitting a hook at one of your opponents’ feet will also be very effective.
As you practice hooking the ball, remember that a hook won’t be effective:
If it hits the side wall before the floor.
If it can be taken in the air before hitting the floor.
Or if it caroms off the back wall.
Otherwise, as long as you learn how to control them, hooks can be very effective weapons in your offensive arsenal.
TUCSON — Ashley Moler completed a dominant weekend of handball on Sunday, winning the Women’s Classic over Tracy Davis, 21-11, 21-16. Moler not only matched Davis’ commanding front court game, she also forced her opponent back with timely defensive shots to the difficult corners of the exhibition court. This play allowed Moler to build leads through both games that Davis ultimately couldn’t overcome; although, she did make a late push in the second game before falling short. The win marked the first Women’s Classic title for Tucson’s Moler.
In the WPH R48Pro LTE final, Daniel Cordova stopped David Fink’s incredible run in Tucson, winning 15-9, 15-6. Cordova’s amazing talent was on full display, showing why he’s one of the pro tour’s biggest rising stars. Fink held an early lead to open the match, but Cordova immediately answered and kept constant pressure on his opponent. Fink made an exceptional effort to keep the games close, only to have Cordova slam the door with a kill or a will-timed pass.
The day was not lost for Fink as he recovered quickly after his pro final to take his first Masters (40-plus) Singles title, defeating Adam Zimet in two games. In other Masters Singles action, Emmett Peixoto took the 35-plus title over Fausto Castro, and Marcos Chavez won the 45-plus crown by defeating Raul Jasso.
Chris Tico defeated Ryan Grossenbacher in the 50-plus final. Phil Kirk won the 60-plus title over Lloyd Garcia. Glenn Carden held off Greg Sizemore’s rally to win the 65-plus division. Merv Deckert outlasted Ed Campbell in a tiebreaker for the 70-plus crown. Jim Ward topped Jim Smith in the 75-plus final, and Norm Young took home the 80-plus title over Mike Lundy.
In Hall of Fame action, two of handball’s rising stars won singles titles to add to their growing collection of hardware. David Sanchez III edged Dylan Key in the Men’s A final, and Andres Cordova stopped Ashton Steadman in the Men’s B division.
A special Thank You to all our event sponsors and volunteers. Thank you to the WPH’s Dave Vincent and David Fink for their work in bringing the top pros to Tucson for the R48Pro LTE event (read the WPH wrap-up and coverage HERE), and thank you to all the players who traveled to play the best game on the planet: Handball!
Next season’s Women’s Classic will be held in conjunction with the Milwaukee Classic in December.
See the draws and final results on the tournament’s R2sports site HERE.